Clay is used to recreate Berlin's pavements, emphasising the tactile aspect of the research, while the cover design reflects the urban textures and themes explored. The project encourages readers to explore the subject through a multi-sensory approach, offering a more immersive understanding of women's experience in public spaces. This work is accompanied by a physical intervention.
The space integrates tactile, auditory, visual and olfactory elements to create an engaging experience that challenges perceptions and encourages awareness. By appealing to several senses, the project highlights the interactions between male and female in public spaces and encourages reflection on the complexity of women's urban experiences.
The design plays on visibility and erasure by highlighting or cancelling words throughout the zine, reflecting the idea of inclusion and exclusion. The aim is to create a space for critical reflection for readers, inviting them to consider different aspects of the debate.
Collaborative posters were designed for audience participation, encouraging visitors to answer questions directly on the posters, creating an interactive and evolving experience. Takeaway cards were offered to extend the conversation beyond the space, while an audio element posed questions for reflection to engage visitors on a personal level. The installation encourages dialogue around this deeply personal yet universally relevant subject.
Created during a typography workshop, the project focused on learning the fundamentals of typography and experimenting with different styles and techniques. The design concept combines these elements to evoke the historic and artisanal nature of the chocolate made by the monks, offering a unique exploration of typography and design.
The goal was to create beauty posters, where typography serves as both message and decoration. Designed as pieces for kitchens, they are designed to be pretty and not for having a purpose.